Welcome to the Symphony CD

$20.00

  1. Roll Over Beethoven Frankie Moreno Lyrics 4:36
  2. That's Life Frankie Moreno Lyrics 4:58
  3. Moonlight Matinee Frankie Moreno Lyrics 4:17
  4. I Just Can't Help Believing Frankie Moreno Lyrics 4:38
  5. Always On My Mind Frankie Moreno Lyrics 3:38
  6. Eleanor Rigby Frankie Moreno Lyrics 4:03
  7. Great Balls Of Fire Frankie Moreno Lyrics 2:34
  8. Some Kind Of Love Frankie Moreno Lyrics 5:31
  9. Why Is The Whiskey Always Gone Frankie Moreno Lyrics 4:16
  10. I'll Cry Instead Frankie Moreno Lyrics 2:27
  11. One For My Baby Frankie Moreno Lyrics 4:11
  12. Biggest Fan Frankie Moreno Lyrics 3:22
  13. Bridge Over Troubled Water Frankie Moreno Lyrics 4:56

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WELCOME TO THE SYMPHONY
Released December 20, 2019

Frankie Moreno’s WELCOME TO THE SYMPHONY is a grand showcase of his classic hits and beloved cover songs, all reimagined with full symphonic arrangements. This album captures the magic of Moreno’s live performances with a full orchestra, bringing the powerful and emotive experience right into your home. Each track is a rich blend of Moreno’s dynamic vocal delivery and the lush, sweeping sounds of the symphony, making it a must-have for fans who want to relive the special moments of his unforgettable orchestral shows.

Produced by Frankie Moreno & Tony Moreno
Mixed and Mastered by Christos Gatzimos
Luccivanni Publishing – BMI / Featherpen Publishing – BMI
Released on Bermuda Records ©2019

ALBUM CHARTING:
#1 Billboard Heatseekers Charts – 1/4/20
#4 Billboard Independent Charts – 1/4/20
#7 iTunes Spain Pop Charts – 2/21/20
#22 iTunes Spain All Genres Charts – 2/21/20
#29 Billboard Top Current Albums Charts – 1/4/20
#35 iTunes US Pop Charts – 12/20/19
#35 iTunes Spain Pop Charts – 2/21/20
#56 Billboard Top Albums Charts – 1/4/20

SINGLES CHARTING:
“Great Balls Of Fire”
#26 iTunes Norway Pop Charts – 7/26/24

“Roll Over Beethoven”
#27 iTunes Norway Pop Charts – 7/27/24
#46 iTunes Denmark Pop Charts – 7/21/24

Featuring:
“Roll Over Beethoven”, “That’s Life”, “Moonlight Matinee”, “I Just Can’t Help Believing”, “Always On My Mind”, “Eleanor Rigby”, “Great Balls Of Fire”, “Some Kind Of Love”, “Why Is The Whiskey Always Gone”, “I’ll Cry Instead”, “One For My Baby”, “Biggest Fan”, “Bridge Over Troubled Water”

 

INSIDE THE ALBUM with Frankie:
Growing up, my house was always filled with Rock ‘n’ Roll—especially Elvis and Jerry Lee Lewis, who’s records played nonstop. But at my grandparents’ house, the soundtrack was a bit different. While they loved Rock ‘n’ Roll too, the air there was filled with the timeless sounds of the Great American Songbook. My grandpa Manny was a huge Frank Sinatra fan, and he’d always have me listen to Sinatra’s music, talking about how classy and sophisticated it was.

My grandparents, Manny and Lilly, were the closest people in my life—they were my heartbeat. I could talk to them about anything. Grandpa would teach me piano chords while Grandma cooked sauce in the kitchen, with Sinatra serenading the room. They’d always say, “Frankie, one day when you play Carnegie Hall, you’ll know you’ve made it. But make sure to include at least one Frank Sinatra song in the set for us.”

Years later, after they had both passed away—a loss that left a huge void in my life—I received a call that felt like fate. I was asked to perform at Carnegie Hall. But it wasn’t just any performance; it was with the New York Pops Orchestra, and they wanted it to be a tribute to Frank Sinatra. Even more incredibly, the show fell on my grandpa’s birthday.

Walking on that stage felt like a dream come true. I knew in that moment that I could die happy. But I wasn’t alone up there—I felt my grandma and grandpa with me, nodding in approval. The night was magical, beyond words. Since then, I’ve sold out several of my own shows at Carnegie Hall, and continued touring the country, performing with orchestras. There’s nothing quite like the feeling of having a 100-piece orchestra behind you—it’s almost impossible to describe.

Capturing that experience on a recording was a must, and that’s how Welcome To the Symphony came to be. It was our way of allowing people who couldn’t make it to the performances to experience the power of an orchestra. Creating this album was especially challenging due to licensing and copyright issues, but in the end, it turned out beautifully, and I couldn’t be happier with it. I know that Grandma Lilly and Grandpa Manny would have been playing it in the house while cooking, and that thought fills me wit